This is a story I wrote a while ago about unrequited love and a little bit of magic, or is it just wishful thinking?
Masahiro is an artist with secrets. He draws Japanese-style manga comics, full of intricately crafted characters armed with knives, guns, and hi-tech spying equipment. The title of his comic is Jazz Firebrand Za Spectacular, a small-run publication featuring the adventures of the heroine, Jazz Firebrand. Very few people know Masahiro is the artist. This is his first secret. He doesn’t talk about it, not even to Yuki, the girl he loves. Perhaps Yuki does not know that Masahiro loves her. This is another secret.
Jazz is a spy, a mercenary for hire, and sometime assassin; a woman for whom life is an endless series of ever-heightening crises. Jazz faces death page after page, urged ever onward by the stroke of Masahiro’s pen.
These days a single scene blooms from the ink again and again. The same scene repeats–unbidden–as if his life depends on it. As if the life of someone he loves depends on it.
A dog-eared sketchbook rests on Masahiro’s knees. He’s been sitting there so long he’s lost all feeling in his buttocks. Usually when Masahiro draws he is relaxed, but today he is wound tight, teeth clenched so firmly the muscles of his jaw creak in protest when he opens his mouth to lick his lips. Each detail must be just right, every patch of shading just so. He presses down so hard with the pencil that the tip breaks off, flitting across the stiff card stock.
The page is broken into panels, some half-erased where Masahiro has changed his mind part-way and tried to start again. The bottom of the page is almost entirely taken up by a close-up of an open female eye.
Masahiro’s hand trembles.
Andrew J. Savage was born in Australia where they trained him as a lawyer and put him to work. After escaping the sand and the sea, he now lives in Japan with his wife and two children. If you look at him silhouetted against a bright light, you might see the hole in his heart where he says his dog should be.